Excrementum: Senses of Proximity. A Sociological Analytic
Нина Николова. Excrementum: Сетива на близостта
Language: Bulgarian with a summary in English
Category: Sociology
This book thematizes the so-called senses of proximity, locating them in most diverse contexts: from the anal eroticism and the amorphous perversity of the small child (analyzed through her sense of smell), through the blissful state of being tipsy which allows for the triumphal return of all that culture has stigmatized (viewed through the prism of the sense of taste), up to the opposition between ‘the city of pain and compassion’ and ‘the city of cosiness and isolation’ (in the aspect of the tactile sense).
The starting premise is that in comparison to the senses of distance (vision and hearing), the senses of proximity, also called ‘lower’ senses, are related to disgust and pleasure to a much greater degree. Putting the focus on the topos of disgust, but in a specific, primarily psychoanalytical, aspect, it is regarded as a former desire. The desire itself is conceived as being peculiarly coupled with pleasure (which may be seen e.g. in the ambivalence of the German word Lust that means simultaneously desire and pleasure): thus pleasure becomes expectation, the foretasting of a future pleasure.
In early childhood, senses of proximity dominate over sense of distance. The child tastes, smells and touches much earlier and much better than she perceives by her vision and hearing. To get to genuinely know something or someone, she must touch, smell and put it in her mouth as she has first done with her mother’s nipple. Thus she cognizes the world by literally tasting it — an intersensory experience where olfactory, tactile and gustatory sensations are merged. The emphasis on senses of proximity shifts to senses of distance very slowly and gradually in the course of individual development, and this is done by the strict tabooing of gustatory, olfactory and tactile perceptions. Her parents categorically don’t want the baby to put everything in her mount and they stubbornly teach order and cleanliness to her, in decisively and insistently demonstrating their disgust with the objects she craves most, these of the body and its excretions. In fact the child doesn’t want but feels that she must abstain from the pleasure that these sensations bring. As a result of upbringing, pleasure is going to be repressed and become disgust, while desired objects are going to evoke aversion.
Simultaneously, the research interest as so defined also presupposes a specific perspective to the body. It is treated in a phenomenological context as in-der-Welt-sein [being-in-theworld], as Heidegger would say, or, speaking in Merleau-Ponty’s terms, as être de porosité [being of porosity]. Speaking otherwise, this is a question of the body as penetrated by the world and as penetrating into the world, as located in a peculiar fleshly (in the sense of Merleau-Ponty’s concept of ‘flesh’) symbiosis with the world. An example of such a symbiosis is the space of ‘genuine, affective-phenomenological proximity’ as a space of the so-called ‘(atom)sphere’ (in the understanding of M. Diaconu which I am discussing in the book), dominated precisely by ‘senses of proximity’ — in it, the Other is inhaled, touched, even ‘tasted’.
Table of contents
Preface
Part one
1. Simmel, Freud, and the world of smells as a challenge for sociology
2. Das Unbehagen by Freud
3. Excrements and perfumes: deodorization and aromatization of bodies and urban spaces
Part two
1. Ekel vs. Lust
2. Noli me tangere
Appendix 1: Homo hapticus: А critique of enhancing
Appendix 2: The “wild” body and sport: Toward a historical sociology of sport
Part three
1. Sanitary culture: toilet challenges
2. Private space under Socialism?
P.S.: The “former ones” and the Procrustean bed of the new world
Appendix: The materiality of affective memories
Details | |
Publisher | Critique & Humanism |
Language | Bulgarian with a summary in English |
Pages | 212 |
Illustrations | – |
Binding | paperback |
ISBN | 978-954-587-224-2 |
Creation date | 2020 |
Size | 14 х 22 cm |