Icons from the 10th13th centuries in Stone, Bone, and Ceramics from Ukraine: A Catalogue
Category: IconsLanguage: English
 

   This book is devoted to a very special circle of works that have reached us from the art of Kyiv Rus of the late 10th—11th centuries, and from the artistic heritage of those principalities, which after the collapse of the vast Kyiv state were formed in the southern and south-western parts of its territory. These principalities continued to exist in the 12th—13th centuries, until the invasion of the Tatar-Mongol hordes in 1230–40s, i.e. in the pre-Mongol period, and partly survived in the following decades. When it comes to the artistic culture of that vast world, we usually remember, first of all, the ecclesiastical architecture, the mosaics and the frescoes of the churches of Kyiv and Chernihiv, the enormous 11th-century icons of Novgorod, made, apparently, by artisans then visiting Kyiv, the miniatures of the 1056–57 Ostromir Lectionary, the decorations of other outstanding illustrated manuscripts, as well as the precious gold and silver jewelry, decorated with cloisonné enamel and other exquisite methods of jewelry art. The monumental sculpture also existed in that world: carvings in white stone (limestone) on the facades of some churches, narrative and ornamental plastic of certain interior elements such as remarkable reliefs(both patterned and narrative) on the slate slabs that decorated Kyiv’s churches.
   However, monumental sculpture and relief played relatively a modest role in that artistic world. This assessment of the role of sculpture will not change much even if we recall the existence of wooden sculpture, the art inherited from pagan times and known to us from the few surviving relatively late works of the north-east and north-west of Rus, which being largely primitive in nature have reached us only in small numbers due to the poor preservation of the material employed. (Foreword by Engelina Smirnova).

 

Table of contents

List of illustrations for Chapter: Relief Icons. Objects of Personal Piety and Worship in Byzantium and Rus

Foreword by Engelina Smirnova

Introduction

Icons in Relief: objects of personal piety and worship in Byzantium and Rus

1. Subjects, Status and Function

2. Problems of Dating Icons by Inscriptions

3. Time of the Formation of the Local Tradition of Carving Icons in Stone

4. Main Trends in the Development of Devotional Miniature Relief Icons

A Catalogue

І. Byzantine Relief Icons

Crimea

Byzantine Cherson—Korsun

Solkhat (Staryi Krym)

Sugdeya (Sudak)

Mangup Hill-fort

Iograf -I Cave over Yalta

Kyiv, Principalities of Pereyaslav and Chernihiv

Kyiv, Kyiv Region

Bogdan and Varvara Khanenko Collection. Kyiv, Kyiv or Chernihiv Province

Pereyaslav

Chernihiv, Lyubech, Vshchyzh

Knyazha Hora Hill-fort and Others in Cherkasy Region

Principality of Halych-Volyn (Western Ukraine and Eastern Poland)

Lviv Region

Halych

Chornivka Hill-fort of Chernivtsi Region

Telezhynsy Hill-fort from the 12th–13th Centuries in the Khmelnytsky Region

Eastern Poland

Byzantine Cameos and Icons from Ukrainian Collectors of Unknown Origin

Icons of Dubious Byzantine Origin

Addition. Kyiv, St. Sophia Cathedral

ІІ. Icons by Craftsmen from Southern Rus

Kyiv, Principalities of Pereyaslav and Chernihiv

Kyiv

Pereyaslav

Kamyany Brid Willage, Korostyshiv District, Zhytomyr Region

Knyazha Hora Hill-fort and Others in the Cherkasy Region

Chernihiv

Lyubech

Principality of Halych-Volyn (Western Ukraine Lands)

Halych

Hill-forts of Ternopil and Khmelnytsky Regions

Lviv and Chernivtsi Regions

Pricipality of Haych-Volyn (Eastern Poland)

Random Finds and Icons of unknown Provenance

IІІ. Documented Icons, Icons from Other Parts of Rus, Incorrectly Defined as Carved, and Replicas

Icons Transferred to the Kyiv Museum of Russian Art in 1936

Church Archaeological Museum at Kyiv Theological Academy

Afterword

Archive Documents

Bibliography

List of abbreviations

 

Details
Publisher Editura Mega
Language English
Pages 256
Illustrations color photographs
Binding paperback
ISBN 978-606-020-907-2
Creation date 2025
Size 21 х 29 cm

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